So, I’m not writing these bits and pieces in any specific order. When it’s time to make this into a book, I’ll put them in a better order. But right now, this goes after all that general stuff.
I titled this chapter “It’s my report” because it’s something I want you to say. “It’s my report.” Add a “darn it!” at the end, if it makes you feel better.
OK, now here’s where things get esoteric. But try to follow along.
If you read that Zettl book I referred to earlier, you know about index vectors. These are vectors (or, invisible arrows) created when someone points or looks.
When you interview a subject, you don’t want them to look at your camera. Why? Because they’re looking at your viewers and talking to them directly when they do that. That’s not something you want them to do (unless they’re making a plea for the return of their lost kitten, and are asking for your viewers to help.)
Video journalism for the last fifty years or so has been about letting viewers see pieces of the conversations a reporter had with a source. This is much like when a print journalist quotes a source in a story, because they’re also letting readers see a bit about what the source said to them. If you look closely (at least in good markets), you’ll notice that in news, you rarely see a source looking directly at the viewers (unless it’s a press conference and someone is reading a prepared statement and looking at various cameras for a few seconds. The other exception is interviews by satellite). If you watch a week’s worth of newscasts, you will notice there are only a few people who regularly get to address the viewers directly by looking into the camera: reporters and anchors. Anchors read the readers and the VO portion of the VO/SOT pieces (which you probably can’t do unless you have an anchor), and reporters do what you’re trying to do (at least, I hope that’s what you’re trying to do - tell a story.)
This doesn’t mean that you have to do a standup in your story. (A standup is when you address the camera directly, usually to say a few things that add to the report. It gets you some face time, but it’s not all that necessary. I remember watching lots of packages from Jeannie Moos on CNN and wondering what she looked like, because she rarely did standups when I was watching in the early 1990s.) But if you do, be sure to look into the camera, not off-screen at some cue card.
This is very much a “control” thing. Subconsciously, viewers pick up on the fact that people who look into the camera are reporters and anchors, and are speaking to them with some authority. So if your interviewee tries to look into the camera, politely ask them to look at you. Don’t give them that authority. If they are authoritative, they already have enough authority…
You may also notice who else looks into the camera: car dealers, carpet dealers, and anyone else trying to make a pitch. Readers notice this subconsciously as well. Possibly, the person trying to look into the camera against your wishes probably knows this, too. Don’t let this person take advantage of you. Tell him or her to buy a pre-stream if they want to address your viewers directly.
There is another “It’s mine” factor to think about: The handheld microphone.
Phallic jokes aside, it’s a very powerful icon on the screen. It indicates who is in control. It tells viewers who has the power.
Watch any show and see who has a hand-held microphone: Emcees. Hosts. Reporters. Vocalists. Preachers. Leaders. And that’s about it.
NEVER let your interviewee hold the microphone. Or, if you do, make sure nobody can tell they are holding it. They don’t get the power. You do. If people can see an off-camera person is holding the mic, subconsciously they can tell that the person being interviewed is not powerful enough in the context of that show to hold their own microphone. Not a host. Not a reporter.
You’re the only one who gets to hold your mic.
The other benefit of this arrangement is if someone is trying to waste your time you can just walk away if you hold your mic. Otherwise, you’re just tethered to the person that just told you his name was “Oliver Closeophe.”
It’s my report, darn it. You’re not holding my mic, and you’re not talking to my viewers. You’re talking to me.
(That’s a good principled position, but you can be more tactful than this when trying to explain why you feel this way.)
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