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Jason Whong: Renaissance Man-in-Training

October 9, 2008

Various goings-on

Filed under: General, journalism — jbwhong @ 7:32 pm

If you're new here, you may want to subscribe to my RSS feed or Bookmark this site!. Thanks for visiting!

I haven’t updated in a while. Today is the four year anniversary for Erin and I. So, happy anniversary to us! We celebrated on Monday, since that was the day I don’t work.

I haven’t subbed yet this year; I have been called three times, but I had a good excuse each time for not going. I forget what was happening the first time. The second time, I was already scheduled to speak to a journalism class at Ithaca College. And this morning, I had a dentist appointment that I totally forgot about. Doh.

Speaking of speaking at Ithaca College: I spoke to a journalism class taught by friend and coworker Ed Bond. I have a feeling that if we didn’t work together, we would find something to geek out on. So, he let me talk to his class Monday, and it was fun. I told them a bit about the kinds of videos I did for the Star-Gazette.

One of his students blogged about me, and it was pleasant to read what she wrote. So, thanks Julia! it was fun, and I am glad you enjoyed it.

That is all for now. Go see “The Express”.

August 18, 2008

Tooting my own horn: NYSAPA award

Filed under: journalism, photography — jbwhong @ 7:07 pm

In the 2007-2008 New York State Associated Press Association awards I received third place in the online photography category (in the under 50,000 circulation group) for the following video:

(you have to press the play button in order to see it. Also, the video is copyright 2007 Star-Gazette.)

I shot it last october at Max Erlacher’s studio, as part of the paper’s “Extraordinary People” series, kind of like an über-neighbors column.

Yay. That is all.

August 2, 2008

Seven rosy angels

Filed under: journalism, photography — jbwhong @ 8:07 pm

I met seven nice ladies today. They were having a friendly gettogether. I will write more about them when I find out why my blog is broken.

July 30, 2008

Rapid fire

Filed under: journalism, photography — jbwhong @ 8:59 pm

OK, so I am back from vacation with Erin. I took a lot of photos, and Erin took a few also. They’re posted in her Picasa account. So check them out!

I’ve been back to work for a few days. On my first day back, I got licked by a cow. The person I was trying to photograph told me “that cow likes to lick people. it’s coming for you.” I didn’t see it because I was looking into the camera. Then I felt its tongue on my arm. I let out a surprised yelp, and the cow kept pushing me, so that I could not line up the shot the way I wanted to.

The farmer told me to swat the cow, but I am inexperienced in such things, and didn’t want to make it angry or injure it. So I tapped it, and the farmer laughed at me. Then I slapped it so I could hear an audible smack, but that was not very hard, and the cow just sat there. Eventually I moved around the cow and got the shot I was looking for. But the cow continued to lick my other arm.

Later at the same shoot, i was licked by goats, but I was expecting that. What I didn’t expect was when I came home: Kelsey (remember Kelsey?) licked my feet. And then the cat licked me, too. So, all in all, Tuesday was a day of being licked by many animals. It doesn’t happen to me at work all that often, but I am sure nature photographers have to put up with animals licking them.

June 27, 2008

Graduations and special requests

Filed under: journalism, photography — jbwhong @ 9:19 pm

Tonight I shot two graduations.

Both began at 7 p.m. I didn’t know that; all I knew was that I was to go to one school at 7 and the other at 8ish.

The problem with covering two events that occur at the same time but on opposite sides of town is that I can’t do very well at either of them. But that said, I think I still did a decent job.

I was at the second school’s graduation, and I heard some of the kids call my name. It was strange to hear them say “Hey, Jason Whong!” because normally, I’m doing my thing, and people are mostly concerned about either staying out of the way of my lens, or mugging for it, or they just don’t notice I’m there.

I don’t do anything crazy, I think. I mean, I don’t do any tactical tumbling or combat rolls or whatever, but I suppose that my stance when I am trying not to block anyone’s view looks a bit like a commando. I walk like those people in the opening credits from M*A*S*H, keeping my head very low, taking a knee to stop and aim, then click a few shots and move again. The kids that had called my name were commenting on my style. “That’s awesome!” they said. My khakis are ripped at the knee, but I am not sure whether they were already that way before tonight. I do a lot of ducking.

Allen Barton or Alan Barton was the one that asked me to blog about him. I made a voice memo to myself, but left the graduation program in the office, so I don’t know how to properly spell his name. But I think it is one or the other. Allen or Alan, congratulations on graduating, and good luck in the future.

June 22, 2008

On gay weddings and photography

Filed under: Politics, journalism, photography — jbwhong @ 10:24 pm

I’ve been consumed recently by an issue that I learned about through Metafilter: a wedding photographer in a very conservative town in Colorado said he was in a quandary over whether, if the question came up, he would shoot a gay wedding and risk offending potential straight clients, or refuse to shoot the gay wedding and risk offending gay clients, and possibly risking a discrimination complaint.

The photographer mentioned a recent case heard before the New Mexico Human Rights Commission in which a lesbian couple complained that a photographer refused to shoot their commitment ceremony, and while they did not demand punitive damages, they won reimbursement of more than $6,000 in legal fees, effectively penalizing the photographer for their decision not to offer their services. The Commission also found that the wedding photographer was discriminatory against same-sex couples.

I don’t like bigotry. I prefer to be kind to everyone. And frankly, I don’t let my religious views decide who I will be friends with, talk to, or conduct commerce with. So, if I were to become a wedding photographer, I would shoot a gay wedding. Because I would approach it from a photojournalist perspective, it would be clear that my presence at the event was neutral, just as it would be for a straight wedding. And if any of my future clients have some sort of “have you shot a gay wedding before?” litmus test, they are probably too dumb to be my client anyway.

But the more I thought about it, the more I came to think that there are two issues at play: the right of equal access versus the right of an artist to define the scope of their work. Specifically, I believe that the freedom of the press mentioned in the First Amendment to the U.S. Constitution includes the freedom to create works of authorship, as well as the freedom not to create works of authorship. I do not think it is constitutional for a law to compel any person to create original works of authorship (photos, poems, videos, plays, etc.) that express an idea that person doesn’t want to express.

So if a photographer doesn’t want to express support for gay marriage, what about a caterer? Do they also get to refuse service at a gay wedding, on the basis that they don’t do gay weddings? I would argue no, because the caterer provides a service that is not considered a “work of authorship fixed in a tangible form of expression” under U.S. copyright law. As creative as a chef is, and while the food may be called a work of art by some, it is not considered a work under the law. Images, on the other hand, are necessarily considered works of authorship under the law. My argument is very specifically about the rights of artists to determine what works they will and won’t create, and what ideas they will and won’t express.

It sets a bad precedent when a law compels the reluctant creation and publication of any work of authorship, no matter how well-intentioned that law may be. Just because a person takes money for their work doesn’t mean they should lose the right to reject a job because of the ideas they would be asked to express (which is entirely different than rejecting the job on the basis of a client’s skin color, gender, race, religion, etc.) If there is a photographer that only wants to create images of Catholic weddings, because they think all non-Catholic congregations to be heretical, and that creating images of them expresses ideas legitimizing the beliefs of the heretics, they should have that right. It’s discriminatory, but so what? There are probably wedding photographers who think that Catholicism is really paganism, and won’t create images of Catholic weddings. That’s fine by me, too, but it is probably illegal in New Mexico. And if it is your wedding, do you really want a photographer that is only there because you approached him or her and the law compels his or her presence? Or do you want a photographer that is eager to please you?

Federal law considers photographers to be similar to poets, writers, graphic artists, sculptors, musicians in that they are all people that express ideas as original works of authorship in a tangible form of expression. So if a wedding photographer can be compelled to shoot a wedding they don’t want to, it creates a precedent in which a person can be forced, by law, to communicate ideas they don’t want to. What’s to stop a later law from compelling a pacifist poet to write an ode to glorious war? What’s to stop a conservative commentator from being forced to write articles in support of liberal causes? Can a photographer or painter of the future be forced to create nude images against their will? Can a vegetarian musician be forced to do an ad campaign for the beef industry? Maybe a newspaper can be forced by law to report on something that’s not an issue they want to cover. Maybe an R&B artist can be forced to record classic rock?

If you read through the aforementioned Vanessa Willock vs. Elane Photography LLC decision by the New Mexico Human Rights Commission, you may notice the 27th paragraph under “Findings of Law”, which reads:

To the extent that Elane Photography’s arguments in this proceeding sought to raise questions as to the constitutionality of the NMHRA or questions as to an automatic preemption of of the NMHRA by the United States Constitution, the New Mexico Constitution or the New Mexico Religious Freedom Restoration Act, those questions are not before the New Mexico Human Rights Commission for determination in this proceeding, and, accordingly, are not addressed here.

Based on my non-lawyerly reading of this, I think it is possible that some part of the law that ended up penalizing the photography studio may be found unconstitutional by a court of law, if it is challenged. If it happens, perhaps you read it here first: the right to a free press includes the right not to be forced or penalized by law to create works of expression that you don’t agree with.

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May 26, 2008

2008 LPGA Corning Classic

Filed under: journalism, photography — jbwhong @ 7:40 am

Once again, I covered the LPGA Corning Classic for the Star-Gazette, and I did it almost exclusively with the Canon EF 300mm f/2.8 lens attached to an EOS 30D. I brought along my personal camera, but only used it for a few shots with a wider angle lens during the tournament.

I keep saying that golf is more and more interesting each time I cover the tournament, and I think this year definitely threw us a curve. The night before the final round, there were something like 20 golfers that had a chance at winning, so despite having four photographers, we were really stressed, running around all over the place, eyeing leaderboards, and noting which names we’d not heard all weekend that were now only a few strokes off of the lead.

In the end it was Leta Lindley who won the game, beating Jeong Jang in a sudden death playoff on hole 18. It was my second playoff. If you want the nitty-gritty on how Lindley won, check out Joe Mink’s retelling of the playoff. Or if you want to read a heartwarming story, try Steve Jensen’s story about watching the end of the tournament with the winner’s children.

And now, onto my fave photos from this year. First, from the finish:

Leta Lindley reacts after sinking the game-winning birdie putt.

Mommy wins! Mommy wins!

The taste of victory is running down her visor.

Some generally pretty shots:

I like Anna Rawson’s caddie’s white beard, which shows up even when he’s far away from the plane of focus.

Jimin Kang lifts a boundary rope. This is the first time I have shot a golfer doing something other than reacting or watching a ball or swinging or taking a club or walking or smiling. It’s just an act of courtesy that most people don’t get to see.

Meena Lee gave me my favorite sand shot of the tournament.

Sometimes the light works out just perfectly. Katherine Hull hits from the rough.

Ji Young Oh tees off under a blue sky. It was the first time a blue sky showed up in the tournament, so I needed to record it. Luckily for me, the ball was in front of the shade.

My favorite tee shot of the tournament: Taylor Leon on 13.

At one point, I noticed that our paper had three photographers on Erica Blasberg, so I took this shot and went back to send it to the office. Since she was winning round one, that’s the one that made it up online. I think she was smiling because her caddie made a joke about all the photographers following her.

Paula Creamer in profile. There’s tape on her finger. I don’t know why golfers tape fingers.

Some people look for rainbows when the sun shines as rain falls. I looked for golfers, and found Hee-Won Han.

And of course, some random reactions:

Giulia Sergas; Mi Hyun Kim; Jeanne Cho-Hunicke; Rosie Jones; Paula Creamer; Paula Creamer again; Laura Diaz; Erica Blasberg Joe Fazzary (from the Pro-Am); a baby bird; a baby raccoon.

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April 22, 2008

Exciting!

Filed under: journalism, photography — jbwhong @ 9:04 am

I took some photos of firefighters carrying water up a hill to fight a brushfire the other day.

The funny thing is, these photos were supposed to illustrate a planned story about how brushfire season is starting. You can’t schedule this sort of photo op, so instead we were scheduled to go to a firehouse to take a picture of brushfire fighting gear. Then the call came in, and we high-tailed it to the location of the fire, which was up a steep hill.

I came home from this assignment smelling of smoke.

(on another note - I finally added the TidBITS superlative badge that I was awarded in 2000. It only took me eight years. It’s on the right, beneath the Mac OS X badges.

March 19, 2008

No, I am not in the FBI

Filed under: journalism, photography — jbwhong @ 7:43 pm

This is a new one.

Today I was assigned to cover a protest to mark the fifth anniversary of the American invasion of Iraq.

The protesters were on one side of the street. I was on the other side of the street, because I didn’t want to stand in rush hour traffic to get their pictures. I used my Canon EF 200 mm 1.8 L lens, which is a fairly large lens, and shot photos from the other side of the street. People started covering their faces and looking at me with disdain.

Later, when I introduced myself to get names for the captions, some of the protesters were releived. “We thought you were in the FBI,” a couple of them said.

In hindsight, maybe I should have introduced myself first before I took the pictures. I usually don’t try to do that, because afterwards it takes a few minutes for people to get back to acting naturally, and I’d rather photograph people that are acting naturally. But in some ways, photographing people who are afraid of your intentions has about the same effectiveness as photographing people who are mugging for the camera.

January 30, 2008

Sworn to secrecy

Filed under: journalism — jbwhong @ 10:56 pm

There is something unusual about taking an oath of secrecy.

I have been known in the past as a guy that is so-so at keeping some secrets. But for some reason, because I am sworn to secrecy, I am now really good at keeping a lot of secrets.

Now that I think about it, it’s because I can use the secrecy oath as a reason to keep it secret. For example, when I signed nondisclosure agreements, I would not reveal to anyone whatever information was covered in the agreement, citing my signature of the agreement. I take the secrecy oath even more seriously than that.

When I signed NDAs, the only people who wanted to know were fanboys and journalists I trusted. Now, I’m a journalist. My occupation is finding information - secret and unsecret - and sharing it. But I don’t even feel compelled to share that which I’ve sworn to keep secret with other journalists.

(And no, the prospect of criminal penalties for violating the oath has not affected my decisions on this matter. It really is the principle of the oath, and my belief in what I am doing.)

Perhaps there can be a future for me in Langley.

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